Glimpses from the past year's Performances
This Year's Performances
Bhopal
On the night of December 3, 1984, Union Carbide’s pesticide plant in Bhopal, India, exploded, engulfing the city in a billow of deadly poisonous fumes. Small children fell like flies, men and women vainly scurried for safety like wounded animals, only to collapse, breathless and blinded by the gas. By morning, the death toll was over 500, by sunset, 2,500. By the following day, numbers had no meaning. That night, Bhopal became the largest peacetime gas chamber in history. The play reveals the human stories within the complex political and economic web that located a chemical plant in Bhopal and leads to human tragedy. It has been described as a taut political drama based on the events leading up to one of the worst industrial catastrophes in history. Although the play takes contemporary events as its subject, it does not feel like the stereotypical "political theatre." Rather, through telling the stories of its characters, the play reaches and connects with audiences on an emotional level.
Aadhe Adhure
In 1959, the iconic post-independence playwright Mohan Rakesh’s “AADHE ADHURE” was published which imprinted his name as the sculptor of modern Hindi theatre. This play deviated from the then prevalent themes based on mythology or historical events became immensely popular due to its stylistic freshness and the contemporary content. Realistic depiction of the middle class milieu, spoken fluency of the dialogue, thematic intensity protruding out of the simple structure, all this and many other features make this play a classic in Indian theatre.
Directors
Joanna Sherman
Bond Street Theater, New York
Artistic Director and co-founder of Bond Street Theatre. As director, choreographer and actor, she has participated in company projects in East Asia, South America, Eastern and Western Europe, the Middle East, Pakistan, India and Afghanistan. Under her directorship, the company received a MacArthur Foundation Award in 1990 for its interdisciplinary and intercultural programming. She has been a speaker on the role of the arts in areas of conflict at the United Nations, National Council on Women, Association of Performing Arts Presenters, UN Conference on Women in China, universities, arts councils, and arts-in-education forums.
Amol Palekar
Amol made his debut in films with noted Marathi film "Shantata! Court Chalu Aahe" directed by Satyadev Dubey. He was cast by Basu Chatterjee in the movie "Rajnigandha", which led to many other such roles in middle-class comedies often directed by Chatterjee or Hrishikesh Mukherjee such as "Golmaal", "Chhoti Si Baat" and "Naram Garam". Amol Palekar turned from acting to film direction with the Marathi film "Aakriet". Since then he has directed many films which include "Ankahi", "Thodasa Rumani Ho Jaye", "Bangarwadi", "Daayraa", "Anahat", "Kairee", "Dhyaas Parva". His movie "Paheli" was India's official entry for the Oscar Awards in 2006 but did not make it to the final nominations.anav Kaul is today, one of Hindi theatre's most promising playwrights and directors. A Kashmiri from Madhya Pradesh, Manav came to Mumbai ten years ago, and acted in plays—many of them by Satyadev Dubey. He made his movie debut in Jajantaram Mamantaram, and after a couple of films, started concentrating on theatre, setting up his group aRANYA with like-minded friends

