SATF 2013

Spanning all night a distant dream
unfolds. An Epic creates a profound
unknown dip- without, within,
as the heart leaps with joy unbound.

The roaring grace of Kolkata-time shares
with this global island of Manhattan.
Youthfulness ages twenty-five years,
an exiled Monoj Bhaumik lives on.

At Queensborough, Jersey shoreline-scene,
a subaltern time holds on, revised,
from nineteen-eighties to twenty-thirteen,
like Debesh Chakroborty’s plays, surprised!

While the citizens of our World reach out
in the proscenium of an empty floor,
our diaspora lives walk on, proud,
hand-in-hand, with Gen-Y, evermore.

This Year’s Performances

For Tickets Click Here.

Opening Ceremony

“Epic: A Journey of 25 years” is a celebration of Theater and the lives that revolve around theater. Over the last 25 years, Epic Actors Workshop has staged performances collaborating with renowned personalities in the field of Art and Theatre, both within the South Asian community and abroad. Starting from the earlier milieu of Kolkata to the current locale of New Jersey, Epic’s journey has cut through the core of classics, tickled the surface of satires and plunged into the politics of plays, while keeping an eye on the entertaining excellence of the performing arts. This audio- visually-rich curtain raiser presentation is a time-capsule filled with a collage of those performances and performers, that weave a network of unique socio-ethnic diaspora extending over three decades and two generations, attempting to stitch together the various colors and flavors of their moments and movements. So, sit back, relax and enjoy the ride!

Our Voices

Our Voices – a play written and directed by Gargi Mukherjee and advised by Ricardo Khan, is about South Asian youth being caught between cultures, not being able to identify with any, or preferring one over the other, resulting in huge conflicts within the home and outside and ultimately getting trapped in a very confused state of being. This play attempts to give the South Asian youth a voice, whereby they can share their innermost struggles, thoughts and feelings and consequently find a platform to exchange ideas, collaborate with others toward the common goal of gaining a clearer understanding of who they are and how to celebrate their differences.

Never Mind

This play by Vivek Bele unfolds the budding romance between two unique and interesting people: Ninad, a successful marketing manager constantly experimenting with his brilliant business ideas, and Smita, a creative art designer curiously fascinated by animals. Both characters bring to this relationship their unique foibles and eccentricities. Beyond all, Smita is stuck in her fear and hesitates to take the first step to experience love despite Ninad’s futile attempts to impress her. But love conquers all and their minds conspire to bring them together!

Palok (The Protector)

This original Bengali play by Sudipta Bhawmik deftly tests the perennial boundaries and uncertainties of parental authority and influence. How valid is the debate that parenting is only a biological consequence and doesn’t necessitate more; what does it take to be a parent? When do a parent’s rights and responsibilities begin and when do they trespass on the rights of the individual? Every generation poses these difficult questions and each modulates it as there are no easy answers to fit or please all.

Uro Megh by Mohit Chattopadhaya

a play reading by Meghnad Bhattacharya and Sharmila Ghoshal.


Girish Karnad’s play Hayavadana has various cultural implications, which are relevant even today. A Man’s search for his own self among a web of complex relationships, Girish Karnad’s Hayavadana was influenced by Thomas Mann’s “The Transposed Heads”, which in turn is borrowed from one of the Sanskrit Kathasaritasagara stories. Culture defines society and Karnad’s plays are a reflection of the culture in our society. Focusing on our folk culture, he takes inspiration from mythology and folklore. With Hayavadana, Karnad has taken us back to the myths and legends of the Hindu religion.

About Hayavadana

Although written and produced over twenty years ago, Girish Karnad’s Hayavadana continues to delight and entertain audiences the world over even today. Based on myths and folk tales the main story is simple, witty, and insightful. At the heart of the plot is a love triangle like no Bollywood film ever imagined. Two devoted male friends are in love with the same charming woman. She is attracted to each of them but for very different reasons. As the play unfolds we wonder just who will win and who is destined to loose her affections? In the second act the woman discovers to her surprise that her choice has changed and that what she thought she was getting in no longer the man she wanted him to be. To conclude the story all three have learned and grown even if they find no satisfactory remedy for the choices they made. The main plot is derived from Thomas Mann’s novella, The Transposed Heads. Mann adapted the story from the Kathasaritsagara, an ancient collection of Sanskrit tales. Karnad discovered Mann’s work while studying at Oxford and saw its potentials for a play. He brackets the love triangle with a folk tale concerning a man who bemoans the fact that he is incomplete. When we meet the man during the final moments of the play his dilemma has been resolved but not in a way that he expected it to be. An opening prayer to Lord Ganesh aptly ties together both stories.

Dui Huzurer Gappo (The story of two masters)

Adapted in Bengali from Tales written by Russian satirist Mikhail Saltikav Schedrin, this play entertainingly elaborates on the dignity of Man’s work and the idealist principle that abstinence from work is a repugnant crime. Wit and humor cleverly reveal the perils of a greedy, modern bureaucracy despite the simple philosophy shared by the locals that the bounty of the Land is everyone’s equal right.

For Tickets Click Here.